Skip to main content

Happy Birthday Gamera!

Today marks Gamera's 56th birthday. He first appeared on the Japanese Daikaiju scene in 1965 as competition for Toho's successful Godzilla series. A giant fire breathing turtle who could fly by hiding in his shell and blowing flames through his arm and leg holes, spinning around around like a flying saucer (and later, jetting around Superman-style with flames shooting from his legs), the first film was a bigger hit than the studio (Daiei) expected, so they continued to release more. Soon enough, Gamera had his own series of movies and set of villain kaiju to battle, including Gyaos (arguably his most famous foe), Barugon, Viras, Jiger, Guiron, and Zigra. 

By 1971, the studio went bankrupt. In 1980, the company New Daiei released Gamera Super Monster, in which they took footage from all the previous movies and used it to create a new story, with a few new added scenes of the star turtle himself. It's considered one of Gamera's worst films, on par with Godzilla's Revenge (which also re-uses old footage). The story about an evil space woman who tries to take over the Earth by sending monsters to attack, and the 3 hero space women who try to stop her is quite ridiculous, yet I've always found that film fun and entertaining, in a so-bad-it's-good sorta way.


Then, in 1995, Gamera returned, in Shusuke Kaneko's fantastic, fun Gamera Guardian of the Universe. He was once again pitted against his greatest foe, Gyaos, and the result was a successful film that kick-started what I consider the greatest kaiju trilogy of all time. Kaneko returned to direct the next two in the series, Gamera II: Advent of Legion (aka Attack of the Legion) and Gamera III: The Incomplete Struggle (aka The Revenge of Irys). Guardian was a throwback to the fun kaiju films of before, while Gamera 2 was a serious, awesome monster film with a great story and impressive action. Gamera 3 was like an art house apocalypse film with monsters. Kaneko was a great director, giving all three movies their own individual styles and touches. The success of these films lead him to get the job of directing 2001's Godzilla, Mothra, King Ghidorah: Giant Monsters All-Out Attack, or GMK for short, one of the best Godzilla films ever made.





Gamera's final film was in 2006, with Gamera The Brave. I didn't really care for that movie. It seemed to abandon the more serious, adult themed 90's trilogy for a return to more kid-friendly fare. Gamera is adopted by a young boy as a baby turtle and grows giant, eventually saving him from a monster named Zedus. This monster was very cool, but Gamera looked goofy, like with his large, anime eyes. I just didn't find the movie all that interesting. It opened at #6 at the Japanese box office and became a commercial failure. And thus, we never saw Gamera on the screen again. Though fans like me hope that someday he makes his triumphant return.





Anyway, today is Gamera's birthday, so a big happy 56 to Gamera, my favorite kaiju turtle!


Here's a Scoompa video clip I made, in celebration of his big day.


Comments

Popular posts from this blog

S.H. MonsterArts King Kong '21

The next May pre-order to arrive is S.H. MonsterArts King Kong from the Godzilla vs. Kong film. I was psyched to get a highly articulated Kong from Tamashii Nations, and the great ape is finally here. Kong is a little shorter than Godzilla (just like in the film). The details of the sculpt are all well done. Tamashii Nations did a good job capturing his look well, from his hair covered body to a few scars on his chest. His faces, including his eyes and teeth on the open mouth head, as well as his axe, are all well painted. The only issue is that they seemed to have gone with a glossy finish, so he seems too shiny, especially on his face and chest. A duller matte shade would've suited him better. At least it would've kept him from looking like he over-moisturized. As for his articulation, he's quite flexible. His head is on a ball joint, ball jointed neck as well, ball jointed shoulders and thighs, upper arm cut, single jointed elbows and knees that go in further than 90 deg...

S.H. MonsterArts Godzilla 1991 Shinjuku Decisive Battle version

The latest Godzilla figure I pre-ordered from the S.H. MonsterArts line has arrived. It is the 1991 Shinjuku Decisive Battle version, to go along with the Mecha King Ghidorah release from earlier this year. While the suit is almost the same as the one used in 1989's Godzilla vs. Biollante, they made some slight adjustments. Compared to the BioGoji figure, this one is much thicker, therefore, he does look different from that other release. His sculpt is the classic 90's era Heisei look, with small head, thick thighs, large dorsal spines and a long tail. Like all the other Godzilla suits of that decade, he has a cat-like face, both cute and menacing. While the King of the Monsters has had multiple looks throughout his 50+ years, it's the Heisei era that seems the most iconic. Artwork, toys, comics, etc, have all utilized this particular design. Similar to the 89 suit, this 91 figure has a small set of dorsal spines, followed by a much larger one, and then gradually getting sm...

S.H. Figuarts Ultimate Ageis/Ultraman Zero Armor option parts set

Earlier in the week I received my S.H. Figuarts Ultimate Ageis/Ultraman Zero Armor option parts set. I was busy with work and doing other reviews, but I finally got around to checking these out. They turned out to be pretty cool option parts. Ultimate Aegis is a set of armor created by Ultraman Noa . My initial thought was that they may be a bit of a hassle to attach to the Ultras. They ended up being fairly easily to swap out and put on them. The only issue I had was with the large piece (Final Ultimate Zero) that Ultraman Zero holds. I was having trouble getting his arm peg into the fist (it’s attached to the piece). Then I realized that I had on his forearm with his bracelet, so I swapped out the regular forearm without the bracelet and it went in easily. For the ultimate Zero Sword, each hand piece comes with its own fists, a red (for X) and blue (for Zero). The top of the fist has a peg that attaches to the piece, and then you ...