Skip to main content

The Werewolf (1956) / The Vulture (1966)




The first flick in tonight’s double feature was this 50’s monster flick.













A man is wandering in a small town at night. He seems to have lost his memory, not even able to recall his name. After leaving a bar, he gets into a fight with a guy who tries to steal his money, and transforms into a werewolf and kills him. A woman sees the entire thing and screams, attracting the attention of the people in the bar. The sheriff is called, and he and the townspeople set about to try and capture this mysterious man before he kills again. They seek the help of the town doctor and his nurse daughter.










Despite the film playing things mostly straightforward, it still manages to be slightly cheesy and fun. The werewolf makeup is goofy, and the explanation for how he becomes a monster is kinda far-fetched (some paranoid doctor injects him with an experimental serum in an effort to save himself and a few others from an apocalypse that he is sure is coming). Ultimately, it’s a fun and decent old werewolf film.




The next film was a 60’s mystery called The Vulture, about a scientist who investigates the sighting of a mysterious monster.













One night in Cornwall, a woman becomes hysterical when she sees what she describes as a giant bird with a human face flying out of an open grave. The grave belonged to Francis Real, an 18th century seaman who was buried alive with his pet vulture. Before dying, Real had swore vengeance on the Stroud family,  who were responsible for his death. An American scientist named Eric is married to Trudy, the niece of Brian Stroud, the descendants of the family who killed Real. After finding feathers and evidence that a giant bird is in the area, Eric becomes convinced that the curse of Real is real, and tries to find answers to protect his wife and her uncles from the curse. Eventually, a giant bird starts stalking the Strouds, and Eric races against time to solve the mystery before they’re all killed.







The movie is cheesy as hell, and the reveal of the bird monster is laughable (it’s a giant vulture with a human head). The explanation for its existence is rooted in ridiculous science (created by means of nuclear transmutation). The monster attacks are fun, the plot goes all over the place, with one mysterious character that seems important, and then his storyline ends up going nowhere. The cast play it seriously, reciting a lot of absurd dialogue. The end result is an entertaining b-movie. I streamed both of these flicks on YouTube. Check them out if you enjoy retro monster movies.








 

Comments

Popular posts from this blog

S.H. MonsterArts Godzilla Minus One

Right before the opening of the new Toho film Godzilla Minus One in the US, I received the figure from Bandai Tamashii Nations from that film. It was officially released last weekend, and about a day before that, some photos were popping up online of the final product, appearing with a very dark and bad paint job. Drama rose up in one of the kaiju figure groups I'm a part of, with one idiot in particular proclaiming that the S.H. MonsterArts line was done, despite having not gotten the actual figure in hand before he could judge for himself. After multiple posts trashing the figure and stating that Bandai was dead, he received the figure and then gave it a good rating (8 out of 10), making himself look like a damn fool in the process. I admit that those initial photos had me worried, but I decided to wait until I saw some YouTube reviews to see how it actually turned out to make my judgement (I pre-ordered it from a site where you don't pay for it until it's actually in sto

S.H. MonsterArts Godzilla 1991 Shinjuku Decisive Battle version

The latest Godzilla figure I pre-ordered from the S.H. MonsterArts line has arrived. It is the 1991 Shinjuku Decisive Battle version, to go along with the Mecha King Ghidorah release from earlier this year. While the suit is almost the same as the one used in 1989's Godzilla vs. Biollante, they made some slight adjustments. Compared to the BioGoji figure, this one is much thicker, therefore, he does look different from that other release. His sculpt is the classic 90's era Heisei look, with small head, thick thighs, large dorsal spines and a long tail. Like all the other Godzilla suits of that decade, he has a cat-like face, both cute and menacing. While the King of the Monsters has had multiple looks throughout his 50+ years, it's the Heisei era that seems the most iconic. Artwork, toys, comics, etc, have all utilized this particular design. Similar to the 89 suit, this 91 figure has a small set of dorsal spines, followed by a much larger one, and then gradually getting sm

S.H. Monsterarts Rodan &Mothra 2019 set

My Rodan and Mothra set finally arrived after being delayed for a few weeks. After spending a few days going over them, I've had time to really assess them. They're both decent, but there are some issues. Let's dig in! As far as sculpt, Rodan fairs better than Mothra. Everything from the wings, face, torso and legs on Rodan are well done and nicely capture his condor-like look from the film. The face, legs and body of Mothra is sculpted in a very simple, dull manner, lacking any real detail or pattern. Part of it I think is that her body is so small it doesn't leave much room for details. Another thing that was pointed out to me by someone on social media is that Monsterarts may have based their Mothra on early concept artwork as opposed to her actual look in the film. The result is a smooth, crude design that, upon close inspection, resembles a Play-Do sculpture. If this was the case, Tamashii Nations really should've waited until they saw w